Introduction to Film Theory Part 2

If you, like me, enjoy film on multiple levels, then you will be interested to know you do not have to go to film school to learn about film (although it does help create a structured environment for learning).


This month, I have continued compiling list to help you better understand the world of Film Theory. Below, I have listed five film theories and links. Remember, this is just the early introduction to the deep and complex world of film theory. Later posts will be added to this list, and you will be introduced to intermediate—and advanced-level theorists, theories, concepts, and philosophies.


5 Film Theories (in no particular order)

  1. Auteur Theory
    • Focus Topics:
      François Truffaut and Andrew Sarris.
      The director as the “author” of a film.
      Readings:
      Truffaut’s essay “A Certain Tendency of the French Cinema.”
      Andrew Sarris’s Notes on the Auteur Theory.
      YouTube
      Auteur Theory Explained by DiAnté Jenkins
      Introductory Film Studies: Auteur Theory by Screen & Sound
      Films to Watch:
      Works by Hitchcock (Vertigo or Psycho)
      Kurosawa (Rashomon).
      Breathless (1960) – Jean-Luc Godard.
      Seven Samurai (1954) – Akira Kurosawa.
  2. Semiotics and Structuralism
    • Focus Topics:
      The language of film (Christian Metz, Roland Barthes).
      Narrative structures.
      Readings:
      Metz’s Film Language: A Semiotics of the Cinema.
      Barthes’ essay “The Death of the Author.”
      YouTube
      Christian Metz’s Semiotic Film Theory by Film & Media Studies
      Roland Barthes’s “Death of the Author,” Explained by Film & Media Studies
      Films to Watch:
      The Seventh Seal (1957)
      Persona (1966).
      Pierrot le Fou (1965) – Jean-Luc Godard (semiotics in action).
      Last Year at Marienbad (1961) – Alain Resnais.
  3. Psychoanalytic Film Theory
  4. Marxist Film Theory
  5. Postmodernism in Film

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