If you, like me, enjoy film on multiple levels, then you will be interested to know you do not have to go to film school to learn about film (although it does help create a structured environment for learning).
This month, I have continued compiling list to help you better understand the world of Film Theory. Below, I have listed five film theories and links. Remember, this is just the early introduction to the deep and complex world of film theory. Later posts will be added to this list, and you will be introduced to intermediate—and advanced-level theorists, theories, concepts, and philosophies.
5 Film Theories (in no particular order)
- Auteur Theory
- Focus Topics:
François Truffaut and Andrew Sarris.
The director as the “author” of a film.
Readings:
Truffaut’s essay “A Certain Tendency of the French Cinema.”
Andrew Sarris’s Notes on the Auteur Theory.
YouTube
Auteur Theory Explained by DiAnté Jenkins
Introductory Film Studies: Auteur Theory by Screen & Sound
Films to Watch:
Works by Hitchcock (Vertigo or Psycho)
Kurosawa (Rashomon).
Breathless (1960) – Jean-Luc Godard.
Seven Samurai (1954) – Akira Kurosawa.
- Focus Topics:
- Semiotics and Structuralism
- Focus Topics:
The language of film (Christian Metz, Roland Barthes).
Narrative structures.
Readings:
Metz’s Film Language: A Semiotics of the Cinema.
Barthes’ essay “The Death of the Author.”
YouTube
Christian Metz’s Semiotic Film Theory by Film & Media Studies
Roland Barthes’s “Death of the Author,” Explained by Film & Media Studies
Films to Watch:
The Seventh Seal (1957)
Persona (1966).
Pierrot le Fou (1965) – Jean-Luc Godard (semiotics in action).
Last Year at Marienbad (1961) – Alain Resnais.
- Focus Topics:
- Psychoanalytic Film Theory
- Focus Topics:
Freud and Lacan in cinema.
The male gaze (Laura Mulvey).
Readings:
Mulvey’s essay “Visual Pleasure and Narrative Cinema.”
Excerpts from Slavoj Žižek’s work on psychoanalysis and film.
YouTube
WHAT IS PSYCHOANALYSIS IN FILM? By BBP Reel Insights
WHAT IS PSYCHOANALYTIC FILM THEORY? By BBP Reel Insights
Film Theories – Psychoanalysis and the Cinema by Zoltán Dragon
Mulvey’s “Visual Pleasure and Narrative Cinema” and Psychoanalytic Theory by Film & Media Studies
Auteur Theory Explained by DiAnté Jenkins
Films to Watch:
Vertigo (1958)
Blue Velvet (1986)
The Shining (1980) – Stanley Kubrick.
Eraserhead (1977) – David Lynch.
- Focus Topics:
- Marxist Film Theory
- Focus Topics:
Ideology in cinema (Louis Althusser).
Dialectical materialism in film analysis.
Readings:
Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction.”
Selections from Antonio Gramsci.
YouTube
Summarized #12 Althusser’s Ideology and Ideological State Apparatuses by Benjamin
UNDERSTANDING IMPLICIT AND EXPLICIT IDEOLOGY IN FILM & CINEMA By BBP Reel Insights
Critique as Praxis: Edel Garcellano and the Dialectics of Cinema | 3rd Edel Garcellano Conference by Adrian Mendizabal
Cultural Hegemony and Antonio Gramsci by Another Dive
Films to Watch:
Metropolis (1927)
The Battle of Algiers (1966)
Salt of the Earth (1954) – A Marxist perspective on labor rights.
Modern Times (1936) – Charlie Chaplin’s critique of industrialization.
- Focus Topics:
- Postmodernism in Film
- Focus Topics:
Fragmentation and pastiche.
Challenges to traditional narratives.
Readings:
Jean Baudrillard’s Simulacra and Simulation.
Frederic Jameson on postmodernism.
YouTube
Postmodernism explained for beginners! Jean Baudrillard Simulacra and Hyperreality explained by The Media Insider
Postmodernism, or, The Cultural Logic of Late Capitalism by Frederic Jameson by The Autodidact’s Toolkit
Films to Watch:
Pulp Fiction (1994)
Blade Runner (1982)
The Grand Budapest Hotel (2014) – Wes Anderson’s pastiche.
Inception (2010) – Christopher Nolan’s layered narratives.
- Focus Topics:

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